Thoughts on Ralph Waldo Ellison's "Invisible Man"
1) Ellison employs the theme of blindness for both his white and black characters. The black characters are blind to the extent to their servitude, their apparent inequality, and the psychological and philosophical manacles that bind them to the faulted belief that somehow the status quo has changed and their current status as second-class citizens is perfectly fine or if not, is bound to get better. The white characters are blind to the fact that their assumed parenthood of the now free blacks is yet another form of injustice, and that their supposed benevolence to blacks is sustainable so long as the blacks remain inferior. Both black and white characters accept the roles society has carved out for them, blind to the fact that everything is wrong. An example of one of Ellison's metaphors for blindness, are the blindfolds that the narrator and his friends were forced to wear by the white men during the battle royal.
Both black and white characters hide behind masks, so that their true selves or intent remain invisible. The white men who give the narrator his scholarship hide behind masks of kindness until the narrator mentions equality in his speech. The narrator's grandfather emphasizes wearing the mask of a good slave until the painted grin becomes a parody, and excessive obedience becomes insidious disobedience. The masks of the white and black people hide their true selves from scrutiny or harm since a mask deflects or absorbs attacks made at one's self or at one's authority. Hence, the true self and the true intent become immaterial vapors, lost shadows, intangible smoke, incapable of being touched, caught or illuminated.
In the end, the most telling metaphor of invisibility and blindness is the narrator himself. He is invisible to white people because he is black and white people are blind to his needs, who he truly is as a person, and his existence. The true personality of the narrator is invisible to the white people because they are blind to his traits as a person, and can only see him through the lenses of racist stereotypes.
2) Dr. Bledsoe exemplifies Du Bois's idea of a black American possessing white and black halves to his or her personality. Bledsoe has perfected the narrator's grandfather's theory of black obedience as a means of insubordination and usurpation. However, his ability to hide behind a mask of humility and goodwill has made him cold and uninterested to the plight of his people instead of more receptive. Instead of wearing the mask to prevent the betrayal of himself and his people, he wears the mask to garner power for himself. This power and influence has turned his head and made him a sinister Uncle Tom. He would sacrifice his own people to death and destruction at the hands of white people just to promote his own interests. Bledsoe's interest in his own advancement over that of his people stems from his cynical belief that black people will never become empowered as a whole, so he might as well seize power while he can. Despite his role as a local black leader and role model, Bledsoe has a mentality that favors white dominance.
Todd Clifton is an antithesis to Bledsoe. He actively challenges stereotypes about black people by being intelligent, cultured and handsome in a society that expects him not to be. Some white people, even today, would remark that he is "so white" and exhibits good qualities that typically would make up the stereotype for a white gentleman. Prejudice and stereotypes of white and black people force Clifton and other black men and women to try to assimilate themselves into white culture, to mask their true thoughts and feelings in an effort to gain acceptance and tolerance.
Despite his good attributes, Clifton is eventually hurt by stereotypes. He realizes that the Brotherhood is just a perpetuation of black servitude and weakness. Clifton leaves, but in his despair or anger he begins selling Sambo dolls on the street. He caters to the palatable nature of grotesque caricatures of black people among white people. The dolls mock, and subjugate black people, leaving a searing, negative image of black people in the minds of anyone who sees them. They perpetuate the stereotypes that have crushed Clifton's spirit.
3) Ellison shows how thoroughly he is disgusted with the concept of humility as a means of black advancement. Although, the young narrator genuinely believes, despite his grandfather's dying words, that servility and passivity will earn him praise, the white men who managed the battle royal took advantage of his naivety and his desire to please. The statue of the black man who founded the narrator's college is an unknown man despite his grand humility. The forgotten founder represents Booker T. Washington and what Ellison thought of him and his principles. Washington strongly believed that through obedience and submission, black people would gain their rightful equality. He opted for humility over an assertive push for civil rights. He founded the Tuskegee Institute, now Tuskegee University, one of the nation's historically black colleges. Although he did the best that he could do in the segregated Reconstruction era, he accomplished little in the fight for civil rights compared to Dr. King and Malcolm X, leaders who threw down debilitating passivity and humility to empower an oppressed people.
4) Mr. Emerson, son of the trustees of the narrator's college, sees himself as Huckleberry Finn and the narrator as Jim, a belittling comparison when examined closely. "Huckleberry Finn" is a groundbreaking novel by Mark Twain that redefined white and black relations in the late 1800s. The friendship between Finn, the young white boy and Jim, an escaped slave, along with Finn's efforts to free Jim broke down barriers in the era of slavery. Yet, in the age after slavery, the age in which the narrator is living, the comparison does not hold up. Emerson is simply upholding the paternalistic treatment of blacks by whites so that he may feel good about helping someone he sees as weaker than himself. He warps the original purpose of Jim and Huck's friendship by holding it up as a standard for all interracial relationships. To Emerson, blacks will always be dependent on whites. Like, Sybil, the white woman who wants the narrator to act out her fantasy of being raped by a "savage" black man, Emerson only injects value into his and the narrator's relationship in order to fulfill a stereotype.
5) Brother Jack effectively takes up the "white man's burden" in his paternalistic treatment of the black people who looked to him as someone who could help their cause. The narrator is right in calling him a "great white father." Jack with his glass eye, is blind to seeing blacks as people and sees them only as cogs and gears in his political machine to supposedly aid people "dispossessed of their heritage." The narrator is also blind. Initially he believes Jack to be a different kind of white man, but Jack was simply wearing a mask. His actual beliefs, his racism, were just temporarily invisible. Jack believed the same stereotypes as most other white people. When the political aims of the Brotherhood shift to incorporate the complaints of disgruntled whites, the cause of the black members is abandoned. Jack has red hair, and he symbolizes the poor treatment black intellectuals received at the hands of the Communist Party in the 1930s and 40s.
6) The philosophy of Ras is attractive in the fact that it offers courage and hope, in a strong, powerful manner reminiscent of Malcolm X. Ras is a nationalist and a separatist. He believes there is no hope in the integration of blacks and whites. Blacks must either overthrow white rule or return to Africa, an idea put forth by Jamaican nationalist Marcus Garvey in the 1920s. Ras also encourages blacks to be proud of their culture. His name means "prince" in Ethiopian and it sounds like Ra, the name of the ancient Egyptian sun god. He inspires black pride.
At same time, Ras is repellent, because he advocates violence as a means to liberation, much like the Black Panther movement in the 1960s and 70s. He has the passion and charisma of a leader, but not necessarily the wisdom. He incites riots in Harlem.
Yet, the narrator rejects Ras for different reasons, reasons that allow "Invisible Man" to be easily classified as existential literature in the spirit of Albert Camus's "The Myth of Sisyphus." The narrator finally realizes that it is "better to live out one's own absurdity than to die for that of others." He realizes the absurdity of American race relations in an absurd world. Like French existentialist Camus, the narrator understands that in an absurd universe he can only find meaning in creating a meaning for himself. Trying to fulfill the expectations of others, whether it was Ras, Jack, or Bledsoe, only proved destructive to his sense of self and subjected it to caustic stereotypes.
His identity is now the source of meaning in the narrator's life. He states in the epilogue: "And my problem was that I always tried to go in everyone's way but my own. I have also been called one thing and then another while no one really wished to hear what I called myself. So after years of trying to adopt the opinions of others I finally rebelled. I am an invisible man." The narrator ultimately assumes a mask of invisibility in order to effectively rebel against his limitations.
Although Ellison's novel deals primarily with the difficulties a black man had to face in the 1950s, Ellison also wanted the narrator's ordeal to have a universal appeal. Ellison wrote of the struggle to define one's self in spite of societal expectations. Anyone, regardless of ethnicity, creed or sexuality, who is intelligent and deeply introspective may suffer from the societal roles, stereotypes and labels that prevent him or her from discovering his or her individual identity.
- Ryu

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